Can you tell a composer from a score?

My doctoral orals are in two days, and one of the challenges I'll have to face will be to tell a composer from a random piece of music.

Here are some of the things I am looking for in a score to tell one composer from the other.

ITALY

• Scarlatti: More figured-bass oriented. Looks almost like Mozart.
• Donizetti: a little more adventurous than Bellini. Use of ornaments, Alberti bass. Some chromaticism.
• Bellini: many short piano and voice pieces. 
• Donaudy: more bel canto in that the accompaniment supports the voice, but richer than bel canto. Lots of instructions on the page. Strophic.
• Tosti: more sophisticated than Donaudy.
• Puccini: piano parts look like orchestral reductions.
• Respighi: elaborate piano parts, frequent modulations, advanced harmonic language. Italian Wolf. Chromatic, lush.

GERMANY

•  Brahms: Hemiolas. Accents on weak beats. Flok like. 1+1+2 phrase structure.
• Schumann: tempo markings often "Nicht Schnell." Middle voices. Strong dynamic contrasts.
• Strauss: orchestral, thick chords, long phrases.
• Wolf: very chromatic, shorter phrases. Piano part motivic, not broad. Lots of changes.

FRANCE

• Offenbach: more operetta than Massenet. 
• Massenet: a cross between Gounod and Offenbach.
• D'Indy: looks like Franck
• St Saens: harmony very romantic, close to Schumann.
• Chausson: more harmonically out there.
• Duparc: orchestral piano parts, really big.
• Hahn: like Faure, set the same texts as Faure, but not as advanced as Faure. More than one mood in a song. His songs look like light Faure.
• Debussy: declamatory vocal lines. Stresses don't always match the right words. 4ths, 5ths and octaves.
• Millhaud: short songs. Polytonal.
• Messiaen: octatonic scales.

AMERICA

• Barber: really hard piano parts. Romantic and lush.
• Copland: very spare, wide chords on the piano. Lots of open fifths.
• Bernstein: very rhythmic, more popular influence. 
• Ives: polytonal, cluster chords, motives. 

EAST

• Bartok: one motif in one voice, picked up by other voices. 
• Hindemith: neo classical, traditional concepts of organization and design combined with newer material. 
• Prokovief: more rhythmic drive.More playful.
• Shostakovitch: spare textures.

There. You. Go.
Your turn!

Photo from http://guides.library.ubc.ca/music